Using the online class well: Making the most of the synchronous time with your class

When I started teaching online, I figured out pretty quickly that I couldn't simply squeeze four hours of teaching and learning into the hour I had with my class. The first few years of online teaching felt like being a beginning teacher again. I had to fundamentally rethink how I organised things as those 60 minutes were such a precious commodity.

For my class, I am interested in developing a Knowledge Building Community. Well. That's the goal. This means that discussion and collaboration are central and everything we do hangs off of these principles.

Often my students are the only Art Historians at their school, sometimes they are the only online learners. They work in isolation during the week, so it is ultra important that collaborative opportunities are maximised during our synchronous time together; whether we are collaborating in a slide, in a breakout room or discussion in Knowledge Forum. Everyone has a responsibility to add to our collective knowledge and they know that they have a part to play. Our work as a collective is highly visible to everyone in that learning community.

And when I talk to my students about what they value in their learning, it is that discussion and connection to the class that is important to them.

When I think about learning design that will help to support this, the SAMR model (Dr Ruben Puentedura) comes to mind. As the image above shows, the emphasis is on the affordances that technology allows. So how can you leverage the Zoom call or even the tools you use with the class to connect in ways that previously wouldn't have been possible?

Teaching art in the age of online learning

My previous reflection had been musing on the possibility of working from home should the covid-19 situation escalate.

This is now a reality.

While I am still committed to developing reflective capabilities in my WHS students,

I have been thinking a lot about how to keep everything manageable.

For my juniors

I think it will be important to keep the teaching and learning simple, as not to overwhelm them.

There is a lot that is changing for students right now, adapting to it all takes up energy and cognitive space.

Now is not the time to be throwing lots of new technology and tools at them.

I have also been thinking about how I can teach art to students who have very limited resources available at home.

I think this will be the time to leverage on what they do have.

We are lucky enough that our students have chromebook and a webcam.

My plan is to use this technology that the students (mostly) have at their fingertips for their learning.

This can be quick and relatively low-tech. e.g.

• Make a colour wheel with things you have around the house and garden and photograph it,
• An alphabet challenge find shapes that look like letters and see how far you can get through the alphabet - photograph these and post them to our class padlet.
• Make a flipbook on a google slide.
• Set up a scene for a photo that creates forced perspective and see who can create the wackiest scene.

For middle school

I have been thinking about how to balance the limited art resources that they may or may not have at home with them,

with the wet and dry media skills I am trying to develop in them to prepare them for level 6 of the visual art curriculum.

This has involved really going back to basics and thinking what can be done with pencil, pen and paper, and possibly what might be lying around in the pantry.

I am really, really grateful that I had the foresight to purchase some art making kits from Joe at HomePrint in Fielding.

This was initially for me to get through some stressful times, but has turned out to be quite fruitful for coming up with ideas for middle school art (and possibly even year 11, if the student hadn't retrieved their art kit from school in the days leading up to the lockdown).

A really simple, yet effective idea is cutting a paper stencil, taping this to another sheet of paper and drawing into the negative space.

Students could use this technique to zen doodle and de-stress or share with the class what is happening in their bubble.

Another neat idea I pinched from a colleague of mine was a food colouring and drawing exercise. All students will need is paper, something to wet the page with, a few drops of food colouring, and something to draw into it with once the food colouring has dried.

The first step would be to wet their page. If they have a brush, this is great, otherwise they need to find some other way of wetting their page so that they have a regular shape on it (perhaps over a sink, hold a piece of paper firmly over a mug of water. Quickly flip it over so that the paper is wet in a circle shape and then back up the right way). Then while the page is still wet, drop a few droplets of food colouring onto the damp paper. The food colouring will mostly just stick to the wet page.

Then leave the page to dry (with something heavy at either end of the page to stop it from curling up).

When the page is dry, doodle into the spaces where there is less colouring. This could be a zen-tangle and quite abstract, or it could be a more organised doodle landscape. For an extra challenge try drawing something you can see in your bubble into the artwork.

(acknowledgement given to M Timutimu, who made these artworks)

For my senior students, it has been a good opportunity to put together some art history tasks that relate to their portfolio work, as many have their art kits but are needing to ration what they do have.

Students get extra literacy credits in a time where their teachers might be pushed to get them through their useful programme of learning and I have come to realise how practical and useful the art history standards can be for visual art students. Win, win.

I'm not going to lie. It has been a lot of work to tailor the art history standards to all the different levels and fields that I teach and their interests.

This was my life last week. I feel like it will be really beneficial in the long run though.

I've also had to rethink my tried and tested painting & printmaking programme for level one students. It's a bit hard to make this happen when there is no printmaking press! Fortunately at level one, students can do printmaking, painting, sculpture, photography or design - they are assessed against general visual art making principles. It really has been a case of trying to put myself in my students' shoes and thinking, what can I do given the resources that I have at hand.

Time will tell, the impact that this has on students' learning.

Setting the course for my 2020 inquiry journey

Teacher inquiry is a funny thing isn't it. For many teachers it is the thing that they love to hate, an exercise in compliance.

But for me I think I would be reflecting on my teaching whether it were a part of my appraisal or not. Since undertaking a Master's study in 2018 I see the value of practitioner led inquiry. I think that is the key. Practitioner led. If I were to be told what my goals were, or have parameters placed around what my goals could and couldn't be, I would quickly rebel.

For me inquiry needs to be timely and relevant. It needs to address authentic issues within my context, not create layers of extra work and bureaucracy.

Earlier in the year I set my professional inquiry goals, thinking back to last years' inquiry and the needs identified.

For my face to face class, I decided that it was important to develop reflective capabilities in my junior and middle school students, and as I reflect on this goal amid schools put together plans for how they might deal with covid-19 should it develop in our community, it seems more relevant than ever. 

If my students aren't able to be in class, or if indeed the school is unable to be open physically, I need to ensure that my students are able to continue engage with their learning and take ownership of their learning, without their teacher in their faces telling them what to do.

For my online class, my goal is to use a knowledge building approach to engage online learners. This has the potential to be quite a challenging goal, if students join my online class for a period of time while they are unable to access their face to face classes. This is a possibility if their school isn't equipped to deliver curriculum digitally and engage with their students by distance. I would have to think quite carefully about how I manage this, as there is a whole lot that I weave into the background of my online class to ensure that students are connected as a community and engaging with each other in and out of our scheduled VC time. Creating a safe space to work as a class, takes a fair bit of intentional learning design.

I also think that there is a great deal of potential to model and share quite innovative practice to a wider 'audience', there is potential for online teachers to be leaders in terms of pedagogy, here.